THE BEAUTY OF HUMANITY MOVEMENT

ABOUT

Tu' is a young tour guide working in Hanoi for a company called New Dawn. While he leads tourists through the city, including American vets on "war tours," he starts to wonder what it is they are seeing of Vietnam—and what they miss entirely. Maggie, who is Vietnamese by birth but has lived most her life in the U.S., has returned to her country of origin in search of clues to her dissident father's disappearance during the war. Holding the story together is Old Man Hung, who has lived through decades of political upheaval and has still found a way to feed hope to his community of pondside dwellers.

A keenly observed and skillfully wrought novel about the reverberation of conflict through generations, the enduring legacy of art, and the redemption and renewal of long-lost love.

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Audio: Back in the day we made CDs! Now available through Audible.

 
Published by Penguin Press (US), Doubleday Canada, Allen and Unwin (Australia), Atlantic Books (UK) and in French, by Lemeac. Available as an audio book through Audible and Amazon.  A reader’s guide is available from Penguin Press.

Published by Penguin Press (US), Doubleday Canada, Allen and Unwin (Australia), Atlantic Books (UK) and in French, by Lemeac. Available as an audio book through Audible and Amazon.

A reader’s guide is available from Penguin Press.

REVIEWS

“Gibb’s fictional portrait of contemporary Vietnam should be essential reading for anyone mulling a visit to Hanoi, whose profusion of motorbike traffic and culinary aromas issues from these pages with graphic verisimilitude. Gibb uses the city’s street food and thriving art scene to reflect both continuity and change…”—New York Times Book Review

“Camilla Gibb drapes her story over good strong bones—characters (including the grandson of a poet friend of Hung’s) that span several generations, the nobility of the artists in contrast to the war and its political players. But the true beauty of the novel radiates from the details—the smell of the soup, the feeling of the early-morning streets, the sense of community in poverty and the community woven by memories.” —Los Angeles Times

“Gibb has made a loving, wise, tender, dreamy and insightful work of fiction about a loosely linked group of ordinary citizens trying to make the most in contemporary Hanoi.” —NPR, All Things Considered

“Part history lesson, and part social commentary on Vietnam’s past to future, Movement’s flawlessly constructed characters satisfy like a warm bowl of pho after a wicked-bad hangover. Gibb’s thoughtful and intricate writing weaves an unforgettable portrait of the past and present, and her observations of humanity make clear the similarities in all of us.” —The Seattlest

“Through the very different perspectives of these three, Gibb fluidly takes the reader from the bitter years of war to the Hanoi that has emerged in the reform era, which, despite all its modernization, is still a mystery to many of us.” —Booklist

“The best book I have read so far this year. It’s a sort of Indochinese Gabriel Garcia Marquez – think One Hundred Years of Solitude with chopsticks.” Wendy Holden, Daily Mail ‘An intensive course in Vietnamese history, Gibb’s poised and thoughtful novel does not flinch from horror but is also open to Camilla Gibb has created a fascinating portrait of modern Vietnam… The collision between the personal and political, the overlapping of the characters’ stories and the tracking of their past and present lives reveal the human connections that unite us all.’ —The Independent

“Just like in Hung’s famous noodle broth, there is a lot packed into this carefully-balanced, delicately spiced novel…From the ancient Huang and his village memories, to the modern Tu and his knock-off Nikes, this takes some beating as a whistle-stop tour of the history of Vietnam…it achieves one of fiction’s greatest aims: making the personal universal, and visa versa.”—Independent on Sunday

“Described by Gibb with empathy and clarity…Gibb ties the strands of the narrative together…with care, with gentleness, and with reality. She employs all the senses to create a vivid aesthetic tapestry. Seeing such hope in the face of such adversity is uplifting.” —Globe and Mail

“A debunker of stereotypes and a seeker of the big picture, [Gibb] isn’t satisfied with merely creating convincing characters and a bold plot. She educates and enlightens the reader whose grasp of Vietnam’s history and culture may be based on little more than the vague recall of old headlines.” —Montreal Gazette

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